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Edison DD 51360-L. Al Bernard singing IN NINETEEN NINETY NINE. A wonderful song! ENJOY
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alternative, classical, country, folk, Al, Bernard
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Alfred A. Bernard (November 23, 1888 - March 6, 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Al Bernard - St. Louis Blues (1919) Edison-50620 (7000)
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Al, Bernard, 1919, 20's, 30's
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Alfred A. Bernard (Nov.23, 1888 - March 6, 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Bernard recorded the song for nine different record labels, the most successful being what Handy called "the sensational Victor recording in which he sang with the Dixieland Jazz Band. From 1919, he recorded solo for Okeh Records. His songs included one called "Shake, Rattle and Roll", about a dice game, which was wholly unrelated, except in title, to the later rock and roll song. Bernard was sometimes billed as "The Singing Comedian", and was the first American singer to record the song "Frankie and Johnny". He also recorded duets with Ernest Hare, in which Bernard took the female singing part, including his biggest hit, "I Want To Hold You In My Arms". He recorded with songwriter J. Russel Robinson as "The Dixie Stars" and, with Robinson, wrote the Bessie Smith feature "Sam Jones Blues". He also co-wrote songs with Jimmy Durante. Later, he recorded with Vernon Dalhart. In 1925, inspired by Dalhart, he began recording hillbilly songs. His 1930 version of "Hesitation Blues", recorded with the Goofus ...
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Al, Bernard, Ernest, Hare, 1923, 29s, 30s
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Description :
Alfred A. Bernard (November 23, 1888 - March 6, 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Bernard recorded the song for nine different record labels, the most successful being what Handy called "the sensational Victor recording in which he sang with the Dixieland Jazz Band. From 1919, he recorded solo for Okeh Records. His songs included one called "Shake, Rattle and Roll", about a dice game, which was wholly unrelated, except in title, to the later rock and roll song. Bernard was sometimes billed as "The Singing Comedian", and was the first American singer to record the song "Frankie and Johnny". He also recorded duets with Ernest Hare, in which Bernard took the female singing part, including his biggest hit, "I Want To Hold You In My Arms". He recorded with songwriter J. Russel Robinson as "The Dixie Stars" and, with Robinson, wrote the Bessie Smith feature "Sam Jones Blues". He also co-wrote songs with Jimmy Durante. Later, he recorded with Vernon Dalhart. In 1925, inspired by Dalhart, he began recording hillbilly songs. His 1930 version of "Hesitation Blues", recorded with the ...
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Al, Bernard, 1927, 20s, 30s
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You Know What I Mean Words by Alfred Dubin Music by Fred Rath Performed by Al Bernard Recorded October 6, 1919 Victor 18644 Alfred A. Bernard (1888 - 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Bernard recorded the song for nine different record labels, the most successful being what Handy called "the sensational Victor recording in which he sang with the Dixieland Jazz Band". From 1919, he recorded solo for Okeh Records. Bernard was sometimes billed as "The Singing Comedian", and was the first American singer to record the song "Frankie and Johnny". He also recorded duets with Ernest Hare, in which Bernard took the female singing part, including his biggest hit, "I Want To Hold You In My Arms". He recorded with songwriter J. Russel Robinson as "The Dixie Stars" and, with Robinson, wrote the Bessie Smith feature "Sam Jones Blues". He also co-wrote songs with Jimmy Durante. Later, he recorded with Vernon Dalhart. In 1925, inspired by Dalhart, he began recording hillbilly songs. His 1930 version of "Hesitation Blues", recorded with the Goofus Five, is considered to predict the western ...
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Al Bernard, You Know What I Mean, Al Dubin, Fred Rath, Vaudeville, Ragtime, jazz, acoustic, 1919
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Original Dixieland Jass Band was a New Orleans, Dixieland Jazz band that made the first jazz recordings early in 1917, their "Livery Stable Blues" became the first issued Jazz single. The group composed and made the first recordings of many jazz standards, the most famous being "Tiger Rag". In late 1917 it changed the name to "Jazz." The band consisted of five musicians who had previously played in the Papa Jack Laine bands, a diverse and racially integrated collection of musicians who played for parades, dances, and advertising in New Orleans. The ODJB were frequently billed as the "Creators of Jazz", because they were the first band to record jazz commercially and to have hit recordings in the new genre. The appellation is accurate in that they were the first band to create successful and popular recordings of jazz. Band leader and trumpeter Nick LaRocca argued that the ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Original Dixieland Jazz Band, Al Bernard (vocal) - St.Louis Blues (1921)
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31st St.BLUES is the song title. Edison Diamond Disk 51271-L. *S* :))
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blues, classical, folk, Al, Bernard, Frank, Kamplain, Edison, diamonddisk
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Grey Gull (Vocal Series) 2323 (b) [2278] "Well I Swan (Giddap Napoleon)" (Langdon) Sung by Al Bernard. First issued circa early 1927. Played on my Columbia 163.
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Victrola, phonograph, greygull, Columbia-163, albernard, 1920's, 1927
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AL, BERNARD, ERNEST, HARE, EDISON, BLUE, AMBEROL, VAUDEVILLE, 1920s
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Edison no.51360-L
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gramophone, phonograph, Al, Bernard, Edison
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Episode 6: Sweet Mamma preformed by Al Bernard with Carl Fenton's Orchestra. Brunswick 2084. Circa 1920-23.
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Sweet Mamma, Al Bernard, Brunswick, 2084, Carl Fenton
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Description :
Alfred A. Bernard (November 23, 1888 - March 6, 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Bernard recorded the song for nine different record labels, the most successful being what Handy called "the sensational Victor recording in which he sang with the Dixieland Jazz Band. From 1919, he recorded solo for Okeh Records. His songs included one called "Shake, Rattle and Roll", about a dice game, which was wholly unrelated, except in title, to the later rock and roll song. Bernard was sometimes billed as "The Singing Comedian", and was the first American singer to record the song "Frankie and Johnny". He also recorded duets with Ernest Hare, in which Bernard took the female singing part, including his biggest hit, "I Want To Hold You In My Arms". He recorded with songwriter J. Russel Robinson as "The Dixie Stars" and, with Robinson, wrote the Bessie Smith feature "Sam Jones Blues". He also co-wrote songs with Jimmy Durante. Later, he recorded with Vernon Dalhart. In 1925, inspired by Dalhart, he began recording hillbilly songs. His 1930 version of "Hesitation Blues", recorded with the ...
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Al, Bernard, 1925, 10s, 20s, 30s
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Description :
Alfred A. Bernard (November 23, 1888 - March 6, 1949) was an American vaudeville singer, known as "The Boy From Dixie", who was most popular during the 1910s through early 1930s. Born in New Orleans, Louisiana, he became a blackface singer in minstrel shows before starting his recording career around 1916. He was one of the first white singers to record blues songs. WC Handy credited Bernard with helping his own career by recording a number of his songs, notably "St. Louis Blues". Bernard recorded the song for nine different record labels, the most successful being what Handy called "the sensational Victor recording in which he sang with the Dixieland Jazz Band. From 1919, he recorded solo for Okeh Records. His songs included one called "Shake, Rattle and Roll", about a dice game, which was wholly unrelated, except in title, to the later rock and roll song. Bernard was sometimes billed as "The Singing Comedian", and was the first American singer to record the song "Frankie and Johnny". He also recorded duets with Ernest Hare, in which Bernard took the female singing part, including his biggest hit, "I Want To Hold You In My Arms". He recorded with songwriter J. Russel Robinson as "The Dixie Stars" and, with Robinson, wrote the Bessie Smith feature "Sam Jones Blues". He also co-wrote songs with Jimmy Durante. Later, he recorded with Vernon Dalhart. In 1925, inspired by Dalhart, he began recording hillbilly songs. His 1930 version of "Hesitation Blues", recorded with the ...
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Al, Bernard, 1922
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A 3-minute commercial for the hot spots on Beale Street accompanied by a jazzy Brunswick house band--not a bad combination!
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Al, Bernard, with, Carl, Fenton, Beale, Street, Blues, Roaring, 20's.MP4
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Indestructible/Oxford 3509, from 1920. Noisy, but Bernard's style and delivery are unmistakable. From cylinders.library.ucsb.edu NOTE: This contains negative portrayal of Japanese people. I do not support those views.
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Al, Bernard, So, Long, Oolong, energ15, Indestructible, cylinder, Edison, phonograph, mrxnews, Mr. X, Mr.X, 1920s, cylinders.library.uscb.edu, records, record
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Episode 5. Strut, Miss Lizzie prefromed by Al Bernard with Carl Fenton's Orchestra. Brunswick 2084. Circa 1920-23.
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Strut miss lizzie, al bernard, brunswick. 2084, carl fenton
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Harry Reser with Earl Oliver made this 1926 recording under the pseudonym The Volunteer Firemen while Al Bernard sings the vocal with a subdued yodel provided by Frank Kamplain.
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Harry, Reser, Earl, Oliver, Al, Bernard, Wait, 'till, Tomorrow, Night!, Roaring, 20's
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Al Bernard is most often associated with recordings in the acoustical era, making recordings of St. Louis Blues with both the Original Dixieland Jazz Band (1921) and an orchestra on Edison in 1919. The electrical recording era brought both great changes in sound reproduction and also a significant change in the style of music in just a few years--thus Mr. Bernard entered the studio once more with the Brunswick house band known as Carl Fenton's Orchestra--and recorded St. Louis Blues accompanied by the band playing in a hotter style than I've ever heard them play on dance records!
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Al, Bernard, with, Carl, Fenton, St., Louis, Blues, (1927), Roaring, 20's.MP4
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An unusual arrangement that both begins and ends with an Al Bernard vocal!
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BOB, HARING, AL, BERNARD, CHARLEY, MY, BOY, VICTROLA, ROARING, 20'S
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Harry Reser and Earl Oliver use the pseudonym The Volunteer Fireman on this 1926 Brunswick recording--Al Bernard and Frank Kamplain sing the vocal.
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Harry, Reser, Earl, Oliver, Al, Bernard, Blinky, Moon, Bay, Roaring, 20's
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